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The α7R V features a new dedicated AI processing unit for improved subject recognition and remarkable still image quality resolution.
The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100 mm to 400 mm range. With extraordinary resolution and fast, precise autofocus it lets you capture distant action with outstanding quality and immediacy. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that...
G Master performance in a wide-angle F2.8 16–35 mm zoom offers a wealth of opportunity to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable...
Constant F2.8 70-200 mm zoom with extraordinary G Master resolution and bokeh.
Nine years in the making, Sony has retooled their classic, workhorse telephoto zoom lens with the FE 70-200mm f/4 Macro G OSS II, introducing performance upgrades in autofocus, stabilization, magnification, and sharpness while reducing both its length and size. Remaining a portable, workaday stalwart for events, sports, and portraiture, this latest...
Perfect for wildlife and more, this 200-600mm super-telephoto zoom can reach as far as 840mm or 1200mm with 1.4x and 2.0x teleconverters, with full G lens quality and AF performance. Aspherical and ED glass elements achieve superb resolution throughout the zoom range, while Sony’s Nano AR Coating cuts flare and ghosting. The bokeh is gorgeous, too.
Constant F2.8 24-70mm zoom with an unprecedented union of high resolution and creamy bokeh.
A classic wide-angle prime with an updated, sleek form factor, the Sony FE 35mm f/1.4 GM is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.
The perfect 85 mm F1.4 portrait lens with outstanding sharpness dissolving to magnificent bokeh.
A groundbreaking standard zoom lens for everyday use, the ultra-wide Sony FE 20-70mm f/4 G spans a popular and versatile range of focal lengths in a compact and lightweight form. Designed to accommodate new trends in shooting styles popular among vloggers and content creators, this ultra-wide to portrait-length zoom provides excellent edge-to-edge...
Bringing a bright, wide maximum aperture to an easy-to-carry form factor, the Sony FE 24-50mm f/2.8 G Lens is a versatile mid-range zoom lens built for everyday mobility. The lens's outstanding image quality benefits both stills and video shooters, yielding high resolution and smooth bokeh.
A sleek and powerful wide-angle zoom designed for E-mount mirrorless cameras, the FE 16-25mm f/2.8 G Lens from Sony is an excellent on-the-go lens that specializes in landscape, travel, and close-up photography. By coupling a maximum f/2.8 aperture with an 11-bladed diaphragm, smooth and beautiful bokeh is naturally created.
Advanced optics achieve consistently high corner-to-corner resolution throughout the zoom range. Four aspherical elements effectively reduce aberration, while ED (Extra-low Dispersion) glass elements minimize chromatic aberration.
Sony’s first 16-55 mm (24-82.5 mm full-frame equiv.) APS-C zoom with a constant F2.8 aperture is remarkably compact while offering performance befitting the G Lens series. A new optical design delivers excellent corner-to-corner resolution, and beautiful bokeh is available when needed. It is compact, lightweight, and ideal for a wide range of subjects.
The HVL-F60RM clip-on flash unit features high GN60 power, high-speed continuous shooting support, and fast operation that are ideal for advanced to professional users. Wireless radio commander/receiver functionality is included.
VG-C3EM body design makes it almost equally easy to control the camera in vertical and horizontal positions, thanks to keys and controls that are nearly the same as those on the back of the camera body.
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