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Distinguished by its long reach and bright design, the FUJIFILM XF 200mm f/2 R LM OIS WR is a 305mm-equivalent lens further characterized by its sophisticated optical layout, fast performance, and apt image stabilization. Well-suited for sports, events, and wildlife photography, the impressive f/2 maximum aperture suits working in a variety of lighting...
An ultra-wide zoom characterized by a bright and advanced optical design, the XF 8-16mm f/2.8 R LM WR from FUJIFILM is a 12-24mm-equivalent lens featuring a constant f/2.8 maximum aperture for consistent performance throughout the zoom range.
Designed for close-up shooting, the FUJIFILM XF 80mm f/2.8 R LM OIS WR Macro is a 122mm equivalent telephoto prime for X-mount mirrorless cameras. The long focal length coupled with the f/2.8 maximum aperture is well-suited to isolating subject matter, especially when paired with the short 9.8" minimum focusing distance, and a 1:1 life-size magnification...
A standard-length zoom built to handle harsh conditions, the XF 16-55mm f/2.8 R LM WR Lensfrom Fujifilm is a weather-sealed lens offering the 35mm focal length equivalence of 24-82.5mm for versatile wide-angle to portrait length perspectives. With a constant f/2.8 maximum aperture, it is effective in low light conditions and able to control focus...
Wide-angle zoom providing a 35mm-equivalent focal length range of 15-36mm when used with Fujifilm APS-C-sized mirrorless digital cameras. A constant f/4 maximum aperture maintains consistent illumination throughout the zoom range and the Optical Image Stabilization system helps to minimize the appearance of camera shake when working with longer shutter...
A fast telephoto prime for FUJIFILM X-mount mirrorless cameras, the XF 90mm f/2 R LM WR is a 137mm-equivalent lens featuring a bright f/2 maximum aperture for low-light performance and extensive control over focus placement.
Sigma introduces a new zoom lens for APS-C mirrorless cameras with an f/1.8 aperture throughout the entire zoom range, the 17-40mm f/1.8 DC Art Lens. Featuring prime-like optical performance and video-friendly design and functionality, its wide-to-normal focal range means a lighter kit bag without surrendering image quality.
Mixing versatility, speed, and a sleek design, the XF 18-55mm f/2.8-4 R LM OIS from FUJIFILM is a flexible 27-84mm-equivalent standard zoom for X-mount mirrorless cameras. Its bright f/2.8-4 maximum aperture range suits working in difficult lighting conditions and also helps to keep the overall and size and weight of the lens down.
Compact and powerful, the Sigma 10-18mm f/2.8 DC DN Contemporary Lens is perfect for travelers, vloggers, and family photographers looking for excellent image quality as well as mobility. With its f/2.8 maximum aperture and 7-blade diaphragm, pleasant bokeh and strong low-light performance is ensured.
Excelling at close range, the FUJIFILM XF 60mm f/2.4 R Macro is a 91mm-equivalent prime featuring a 1:2 maximum magnification along with a 10.5" minimum focusing distance.
Ideal for a wide range of photo and video applications including landscapes, portraits, street photography, architecture, and events, the 18-50mm f/2.8 DC DN Contemporary Lens from Sigma is a small, light, and bright standard zoom for crop-sensor mirrorless cameras.
The new Tokina AT-X 116 PRO DX is an ultra-wide angle lens with a fast f/2.8 aperture for better photography in low-light situations. Many photojournalists consider having an f/2.8 aperture a must for any lens in their camera bag.
The AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Nikon Mount by Tokina is an ultra-wide angle autofocus zoom lens with a fast constant f/2.8 maximum aperture. The AT-X 116 PRO DX-II lens is designed for digital cameras with APS-C-size CMOS or CCD sensors. Its angle of view ranges from 104-84° and it can focus as close as 11.8".
An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilization. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file...
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