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Perspective Control (PC-E) wideangle NIKKOR for architecture and landscape photography that delivers class-leading levels of tilt and shift movement. Equipped with Nano Crystal Coat and Extra-low Dispersion (ED) glass lens elements for a superior optical performance with today’s high-resolution digital SLRs.
Extreme wideangle, fast aperture lens with a revolutionary optical design. This remarkable professional lens features a Nano Crystal coating to reduce the effects of ghost and flare, and delivers edge-to-corner sharpness that can surpass that of equivalent fixed focal-length lenses.
Sigma's third generation 12-24mm f/4 DG HSM Art Lens, available here with a Nikon F mount, refines their ultra-wide arena and delivers an image with little distortion and with a high resolution for crisp photos with a modern full-frame digital image sensor.
Sigma's third generation 12-24mm f/4 DG HSM Art Lens, available here with a Canon EF mount, refines their ultra-wide arena and delivers an image with little distortion and with a high resolution for crisp photos with a modern full-frame digital image sensor.
Perspective Control (PC-E) telephoto NIKKOR with high-quality optics designed to be ideal for portraits and product photography. Features Nano Crystal coat for a superior performance with modern high-resolution digital SLRs.
Ultra wideangle zoom NIKKOR lens, designed for use with Nikon's FX-format SLRs. The World's first ultra wide-angle lens to boast vibration reduction, it delivers amazingly steady images to both the sensor and viewfinder.
Ultra wide-angle 2.4x zoom lens with 109° to 61° field of view, equivalent to 15-36mm in 35mm format. Designed for use with DX-format digital SLRs, the high quality optical design boasts three aspherical and two ED glass elements to deliver images with outstanding resolution, contrast and minimized distortion.
Sigma has expanded their ever growing Global Vision line with the world's first constant f/2 aperture on a full-frame zoom lens, the 24-35mm f/2 DG HSM Art Lens, available here with the Nikon F lens mount.
Sigma has expanded their ever growing Global Vision line with the world's first constant f/2 aperture on a full-frame zoom lens, the 24-35mm f/2 DG HSM Art Lens, available here with the Canon EF lens mount. Groundbreaking aperture combined with the versatile wide-angle 24-35mm focal length allows photographers to easily replace three common lenses, the...
TWO YEAR WARRANTY!The EF 17-40mm f/4L USM is an ultra wide-angle zoom lens that offers excellent image quality and a constant maximum aperture. Its compact, lightweight body makes it an ideal travelling companion.
Sigma's 12-24mm f/4.5-5.6 DG HSM II Lens (For Canon) is designed for use with full-frame digital cameras, and offers a dramatically ultra-wide, minimally distorted zoom lens with a field of view from 122° to 84.1°.
Sigma's 12-24mm f/4.5-5.6 DG HSM II Lens (For Nikon) is designed for use with full-frame digital cameras, and offers a dramatically ultra-wide, minimally distorted zoom lens with a field of view from 122° to 84.1°.
The Sigma 18-35mm f/1.8 DC HSM Art Lens for Nikon is a wide-angle to normal-length zoom lens that features a fast, bright constant f/1.8 maximum aperture. It is specifically designed for use with APS-C-sized sensors and provides a 35mm-equivalent focal length range of 27-52.5mm.
The Sigma 8-16mm F4.5-5.6 DC HSM is an ultra-wide zoom that has a 35mm equivalent angle of view of a 12-24mm lens when used on DSLRs with APS-C size image sensors. Sigma's FLD glass elements, equal to fluorite glass, correct for distortions and color aberrations to deliver beautiful high contrast images.
The AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Nikon Mount by Tokina is an ultra-wide angle autofocus zoom lens with a fast constant f/2.8 maximum aperture. The AT-X 116 PRO DX-II lens is designed for digital cameras with APS-C-size CMOS or CCD sensors. Its angle of view ranges from 104-84° and it can focus as close as 11.8".
The new Tokina AT-X 116 PRO DX is an ultra-wide angle lens with a fast f/2.8 aperture for better photography in low-light situations. Many photojournalists consider having an f/2.8 aperture a must for any lens in their camera bag.
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