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Extreme wideangle, fast aperture lens with a revolutionary optical design. This remarkable professional lens features a Nano Crystal coating to reduce the effects of ghost and flare, and delivers edge-to-corner sharpness that can surpass that of equivalent fixed focal-length lenses.
Sigma's third generation 12-24mm f/4 DG HSM Art Lens, available here with a Nikon F mount, refines their ultra-wide arena and delivers an image with little distortion and with a high resolution for crisp photos with a modern full-frame digital image sensor.
Nikon has taken the time to unveil a new piece of high-end glass. Paying homage to a lens discontinued 15 long years ago, Nikon is bringing back the 58mm prime lens, this time with an f/1.4 aperture.
Enjoy a big picture of the tiny world: the ZEISS Milvus 2/50M can even transport you to the cosmos mirrored in a small drop of water. As a macro lens, it is the perfect solution for the close range. Used as a standard lens, it portrays the world in all its natural perspectives.
This focal length is the ideal tool for imaging real-life situations – whether it is the hustle and bustle of a busy road, the intimacy of a portrait or the wonders of nature. It is always in quest of those real and unadulterated perspectives. The ZEISS Milvus 1.4/50 is a versatile focal length that meets even the highest standards.
Ultra wideangle zoom NIKKOR lens, designed for use with Nikon's FX-format SLRs. The World's first ultra wide-angle lens to boast vibration reduction, it delivers amazingly steady images to both the sensor and viewfinder.
Ultra wide-angle 2.4x zoom lens with 109° to 61° field of view, equivalent to 15-36mm in 35mm format. Designed for use with DX-format digital SLRs, the high quality optical design boasts three aspherical and two ED glass elements to deliver images with outstanding resolution, contrast and minimized distortion.
Sigma has expanded their ever growing Global Vision line with the world's first constant f/2 aperture on a full-frame zoom lens, the 24-35mm f/2 DG HSM Art Lens, available here with the Nikon F lens mount.
The Sigma 18-35mm f/1.8 DC HSM Art Lens for Nikon is a wide-angle to normal-length zoom lens that features a fast, bright constant f/1.8 maximum aperture. It is specifically designed for use with APS-C-sized sensors and provides a 35mm-equivalent focal length range of 27-52.5mm.
Sigma's 12-24mm f/4.5-5.6 DG HSM II Lens (For Nikon) is designed for use with full-frame digital cameras, and offers a dramatically ultra-wide, minimally distorted zoom lens with a field of view from 122° to 84.1°.
Facial expressions and features convey an individual’s character. A sparkle in the eye, fine wrinkles and shades of color can tell a whole life story. With its versatile standard focal length, the ZEISS Planar T* 1,4/50 knows exactly how to express character: natural, illuminated and rich in contrast.
The Sigma 8-16mm F4.5-5.6 DC HSM is an ultra-wide zoom that has a 35mm equivalent angle of view of a 12-24mm lens when used on DSLRs with APS-C size image sensors. Sigma's FLD glass elements, equal to fluorite glass, correct for distortions and color aberrations to deliver beautiful high contrast images.
The AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Nikon Mount by Tokina is an ultra-wide angle autofocus zoom lens with a fast constant f/2.8 maximum aperture. The AT-X 116 PRO DX-II lens is designed for digital cameras with APS-C-size CMOS or CCD sensors. Its angle of view ranges from 104-84° and it can focus as close as 11.8".
50mm wide-aperture standard lens with high-quality optics and Nikon’s exclusive Silent Wave Motor (SWM) for whisper-quiet operation. Features a large maximum aperture of f/1.4 that ensures a bright viewfinder image, and is ideal for low-light shooting situations or when a shallow depth of field is desired.
Standard, 40mm DX-format macro lens. Ideal for getting really close to subjects, it offers a fast maximum aperture of f/2.8 and 1:1 reproduction ratio.
Remarkably lightweight and compact 50mm standard lens. Boasts a fast maximum aperture of f/1.8 that is ideal for low-light situations or when shallow depth of field is required, and contributes to a bright viewfinder image.
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